Intro to West Coast
Swing
by Tim Eum
History:
During
the 1920s - 1940s, a new type of music, “jazz”, swept the land
and people wanted to dance to it. Swing dancing was born in
many different forms. In the 1930’s, the Lindy Hop and Collegiate
Shag were popular. In the 1940’s there was the Jitterbug and the
Boogie-Woogie and in the 1950’s came Rock and Roll. There were
many regional versions. California spawned one version in the 1940’s
and 50’s that eventually became known as West Coast Swing.
General
Characteristics:
West
Coast Swing is characterized by a distinctive elastic look that
results from its basic extension-compression technique of partner
connection, and is danced primarily in a slotted area on the dance
floor. This allows the couple to dance most figures in a small area
of the dance floor.
There
are three families of figures in West Coast Swing: (1) those
where the lady comes close to the man and then backs away (Sugar
figures), (2) those where the man steps out of the slot and allows
the lady to pass to his other side (Passing figures), and (3) those
where the couple comes together and rotates around each other (Whip
figures).
The
basic pattern for Sugar and Passing figures is: “1, 2, touch, 4,
anchor step” which takes six beats of music to do. Some Sugar and
Passing figures also use the standard triple swing pattern of “1,
2, 3&4; 5&6”. The basic Whip pattern is “1, 2, 3&4;
5, 6, 7&8”.
Most
figures begin with the lead foot free, man’s left (L) and lady’s
right (R), and end with the lead foot free.
The
first step in standard figures is always forward for the lady and
back for the man.
Terms:
Anchor
Step: small
back/recover, small back. (Man does this with his right foot. Lady
does this with her left foot). Timing is Q&Q.
Coaster
Step: Man
crosses his right foot behind then quickly steps on his left and then
steps side right -- while the Lady steps back on her left closes with
her right and then steps forward toward man with her left. Timing is
Q&Q.
French
Cross: Step
forward with right foot turning ¼ left face then cross left in front
of right then step side right turning another ¼ left face. This can
be used with any passing figure instead of simply running past
partner and swiveling back to face. Timing is Q&Q.
Figures:
For
each figure below, the foot placement given is for the man and then
for the lady in parentheses ( ).
Left
Side Pass: Man
rocks back on L, then recovers on R stepping slightly to right off
the “slot”. Then do a “triple”, i.e. “L/R, L,” getting
back into the slot but turning around half left face to face partner.
Finish with an Anchor Step. (Lady walks forward two steps R then L.
Then she does a triple “R/L, R” to pass the man and turning
around half left face ~ can use French Cross. Finish with an Anchor
Step.)
Underarm
Turn: Man
rocks back on L, then recover on R stepping slightly to left off the
“slot” and raises joined lead hands. Then do a “triple”, L/R,
L, getting back into the slot and turning around half right face to
face partner while allowing lady to pass under the joined lead hands.
Finish with an Anchor Step. (Lady walk forward two steps R then L.
Then she does a triple “R/L, R” to pass man while turning half
left face under the joined lead hands ending to face man. Finish with
an Anchor Step.)
Man’s
Underarm Turn: Man
rocks back on L, then recovers on R stepping slightly to right off
the “slot” raising joined lead hands. Then do a “triple”,
L/R, L, going forward while turning half right face under the joined
lead hands ending to face partner. Finish with an Anchor Step. (Lady
walks forward two steps R then L allowing lead hand to raise. Then
she does a triple “R/L, R” to pass man while turning half left
face while man turns under the joined lead hands. Finish with an
Anchor Step.)
Push
Break: Man
walks back two steps L then R. Then he does a triple “back L/close
R, forward L” allowing lady to come close before pushing her back.
Finish with an Anchor Step. (Lady walks forward two steps R then L.
Then she does a triple “forward R/close L, back R” coming close
to partner before stepping back. Finish with an Anchor Step.)
Sugar
Push: Man
walks back two steps L then R while leading lady to come close. Then
he “taps” his L foot on beat 3 ~"Sugar" and then steps
forward onto L foot on beat 4 ~ “Push”. Finish with an Anchor
Step. (Lady walks forward two steps R then L coming close to partner.
On beat 3 she then “taps” her R foot and on beat 4 she steps back
L. Finish with an Anchor Step.)
Tuck
and Spin: Man
walks back two steps L then R while leading lady to come close. The
man “braces” his left hand while tapping his L foot on beat 3 and
then steps forward onto L foot on beat 4. Finish with an Anchor Step.
(Lady walks forward two steps R then L coming close to partner. On
beat 3, Lady “tucks” by lowering right shoulder and slightly
compressing right hand against man’s left hand while tapping with R
foot behind her. On beat 4,Lady steps onto her R foot spinning right
face a full turn to face partner. Finish with an Anchor Step.)
Passing
Tuck and Spin: Man
rocks back on L then recovers on R stepping slightly to right off the
slot. The man braces his left hand while tapping his L foot on beat 3
swiveling left face about a 1/4. On beat 4, man steps back into the
slot on R turning another ¼ left face to face partner. Finish with
an Anchor Step. (Lady walks forward two steps R then L coming close
to partner. On beat 3, Lady “tucks” by lowering right shoulder
and slightly compressing right hand against man’s left hand while
tapping with R foot beside her L foot. On beat 4, Lady steps forward
with R down the “slot” passing man and spinning right face ¾ to
face man. Finish with an Anchor Step.)
Wrapped
Whip: Man
rocks back on L, then recovers forward on his R stepping slightly to
left off the slot joining trail hands and raising the lead hands over
the lady’s head while turning ¼ right face on lady’s right side.
Man does a “Paddle Step” which is a rock side L/recover R,
forward L turning another ¼ right face lowering the lead hands
wrapping the lady. Let go of trail hands and step around the lady in
two steps R then L getting back into the slot to face the lady.
Finish with an Anchor Step. (Lady walks forward two steps R then L
joining trails hands and allowing joined lead hands to go over her
head. Lady then steps forward R/closes L, and steps back R allowing
man to go around and wrap her. As man lets go, lady backs up two
steps L then R and finishes with an Anchor Step.)
Tummy
Whip: Man
rocks back on L, then recovers forward on his R stepping slightly to
left off the slot placing his right hand on lady’s right hip while
turning ¼ right face on lady’s right side. Man does a “Paddle
Step” which is a rock side L/recover R, forward L turning another ¼
right face going around lady. Go around the lady in two steps R then
L getting back into the slot to face partner. Finish with an Anchor
Step. (Lady walks forward two steps R then L. Lady then steps forward
R/closes L, and steps back R while man goes around her. Lady then
backs up two steps L then R and finishes with an Anchor Step.)
Whip
Turn: Man
rocks back on L, then recovers forward on his R into Closed Position
with partner and turning about ¼ right face. Man does a “Paddle
Step” which is a rock side L/recover R, forward L turning another ½
right face still in closed position. Letting go of partner but
retaining lead hand hold man then crosses his R behind his L, and
steps side L turning another ¼ right face to end facing the same
direction as when starting the Whip. Finish with an Anchor Step.
(Lady walks forward R then L to Closed Position turning ¼ right
face. She then steps back L/closes R, and forward L while turning ½
right face with man. While still turning right face another ¼, lady
crosses in back R and then back L and finishes with an Anchor Step.)
Tim
Eum has
prepared many Round Dance Tips for Calls 'n' Cues,
WASCA, for his weekly Rocket Rounds email reports, and for
other
publications.
DRDC is
grateful for permission to collect and reprint. A Tim Eum archive.

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