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Single Swing
4 beats/measure; 26 - 46 meas/min
In the 1920s, swing dancing emerged as young people moved to the jazzy, bluesy, big band music of the time. In round dancing, the dominant swing rhythm is East Coast or triple swing. However, the figures that we use have mostly come from International style, competition jive, and most of our cue sheets identify these dances as "jives." There has been some effort to distinguish between triple-swing and triple-jive, with jive being faster, bouncier, and more in place, and swing being slower and with more travel during the triples.
Single Swing is certainly not as common as the triple style, but there are a few perennially popular Single Swings, and Roundalab has begun to standardize and to list some Single Swing figures. Actually, any triple swing figure or jive dance can be danced as a Single Swing. Simply dance each triple or each chasse as a single slow step. Each 6-count figure changes from a rock, recover, and two triples to a rock, recover, step, step (q,q,s,-; s,-,), four steps over the six beats of music. Dance with soft knees, with forward poise, and on the balls of the feet.
Let me mention that less common still is "double swing" with six steps or actions over the six beats: rock L, recover R, press L, step L; press R, step R, (q,q,q,q; q,q,) (of course, the woman begins with her right foot). I don't think I have ever seen a round dance choreographed as a double swing, but I did once see a triple jive danced with some double swing styling. The press actions were done as little, stabbing kicks into the floor: rock, recover, kick, step; kick, step. We round dancers certainly have the licence to make any dance our own. 
Figure Name, Phase Level, & Timing
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Steps and Actions That Make Up the Figure
These descriptions are primarily based on Roundalab's Standards For Round Dancing and on cue sheets written by many choreographers (see Links page).
Figure Videos
Readers have suggested that I link to the video snippets at ballroomdancers.com or videojug.com so that for each figure we would have the cue, a description, and a performance video. I'll do that as time allows, but in the meantime, you might want to visit these sites and see if the figure you want is there. A search on a rhythm or even a figure at youtube might turn up a clip, too.
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Here are some sequences to help you visualize the figure in context.
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NOTE: There are many technical terms and abbreviations that are widely used in round dancing. For instance, if you encounter non-standard punctuation, I am probably trying to indicate the musical timing of a figure, where a comma separates two beats of music, a semi-colon marks the end of a measure, and a slash (/) indicates a split beat, two things occuring in a single beat. Elsewhere, you can find descriptions of dance positions; basic dance steps, actions, and directions; and other dance abbreviations. WOMAN'S FOOTWORK — I try to describe what the man does and then in parenthesis what the woman does. In this way, you can read in one sentence what each partner is doing during that beat of music, rather than read about the man in one place and maybe the woman in another paragraph. I don't want to encourage the man to read only about his part and the woman only about hers.
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| Basic Rock
phase III
qqs; s
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In a facing position, rock apart L (W apart R), recover, step side, -; side, -, |
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| Link Rock
phase III
qqs; s
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In left open facing position, rock apart L (woman apart R), recover, and small steps fwd, -; sd, -, to closed position. You are "linking" yourselves more tightly into closed position. This figure can turn up to 3/8 RF to end in CP facing wall unless otherwise cued. For instance, you might begin in left open facing position LOD and link to CP facing wall.
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| Fallaway Rock
phase III
qqs; s
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In closed position, rock back on lead feet to semi-closed position, recover to face partner, step side, -; sd, -, |
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| Fallaway Throwaway
phase III
qqs; s
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In closed position facing wall, rock back L (W bk R) to semi-closed position, recover, step forward L turning slightly LF (W fwd R commencing up to 1/2 LF turn), -, sd R (W bk L) to left open facing position LOD, -;
May be done in other facing directions.
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| Throwaway
phase III
ss;
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In SCP facing LOD, step forward L turning slightly LF (W fwd R commencing up to 1/2 LF turn), -, sd R (W bk L) to left open facing position LOD, -;
May be done in other facing directions.
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| Change Places Right to Left phase III
qqs; s
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In CP facing wall, turn to SCP and rock back L (W rock back R), recover, fwd & sd L (W fwd & sd R stepping in front of man), -; raise lead hands to lead W's underarm turn and step sd R turning 1/8 LF (W spin 5/8 RF under joined lead hands and step back L) to left open facing position DLC, -,
Note that couple turns about 1/4 LF. If begun in left open facing or butterfly position, first steps will be rock apart and recover. May be done in other facing directions.
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| Change Places Left to Right phase III
qqs; s
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In left open facing position, rock apart L (W apt R), rec raising lead hands, fwd L turning RF (W fwd R spinning 3/4 LF under joined lead hands), -; sd R, -, (you might go from diagonal center back to wall) |
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| Change Hands Behind Back
phase III
qqs; s
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In left open facing position, rock apt, rec placing R hand over woman's R hand, fwd L releasing L hnd and turning 1/4 LF (W fwd R turning 1/4 RF) to tandem position M in front of W placing L hand behind back, -; change W's R hand to M's L hand and step side and back R turning another 1/4 LF (W sd & bk L turning 1/4 RF), -, (half turn for each) |
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| Jive Walks
phase III
qqs; s
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Rock back to semi-closed position, recover, step fwd, -; fwd, -, |
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| Shoulder Shove
phase IV
qqs; s
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In left open facing position with lead hands joined rock apart L (woman apt R), rec R turning RF (woman LF), step sd gently pushing left shoulder to her right shoulder, -; turn to face and step back drawing shoulders away, -, |
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Go beyond this manual. Good instructional books and videos, both new and used, are available at low prices at Amazon. Find other references on our Sources and Links pages.
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